Synchronization as a Sound-Image Relationship

4 Clocking

Besides the needle sound systems, there were a variety of independent practices for speakers, musicians, sound-makers, etc. to accompany the silent film.[15] For a history of synchronization techniques they become relevant and interesting in particular when techniques for standardizing their temporal relation intervene in mixtures of film and notation (letters, musical notation) in the form of mechanically driven timing.[16] Worthy of mention in this respect are music films (e.g., the Beck system or Notofilm) in which the music for the screening was specified by means of conductors copied into the image or musical notation streaming through it.[17] What is remarkable in this context, however, is also the clocking of the entire audience, for example by means of a bouncing ball that jumped from syllable to syllable of the lyrics of the song to be sung together in the cartoons, called Song Car-Tunes, made by the Fleischer brothers.[18]

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Keywords:synchronicity
Timelines:1910 – 1920