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List of all Relations in this Text

«Light Shows/Multimedia Shows»
People
Abrams Jerry (Chap. 4, ), Belson Jordan (Chap. 2), Boyle Mark (Chap. 4), Brand Stewart (Chap. 3, 4), Callahan Michael (Chap. 3), Castel Louis-Bertrand (Chap. 1), Dockum Charles (Chap. 1), Durkee Stephen (Chap. 3), Fischinger Oskar (Chap. 2), Fuller Richard Buckminster (Chap. 2), Ham Bill (Chap. 4), Helms Chet (Chap. , 4), Higgins Dick (Chap. 2), Hills Joan (Chap. 4), Hilyard Roger (Chap. 4), Jacobs Henry (Chap. 2), Kesey Ken (Chap. 4), Kriwet Ferdinand (Chap. 4), Krüger Johann Gottlob (Chap. 1), Leary Timothy (Chap. 3), Locks Seymour (Chap. 4), Madonna (Chap. 5), Martin Anthony (Chap. 4), McKay Glenn (Chap. , 4), McLuhan Marshall (Chap. 2), Metzger Gustav (Chap. 4), Mommartz Lutz (Chap. 4), Piene Otto (Chap. 4), Rimington Alexander Wallace (Chap. 1), Romero Elias (Chap. 4), Smith Harry (Chap. 2), Stern Gerd (Chap. 3), Uecker Günther (Chap. 4), Vanderbeek Stan (Chap. , 3), Warhol Andy (Chap. 4), Wiener Norbert (Chap. 2), Wilfred Thomas (Chap. 1), Wolfe Tom (Chap. 5), Wynne-Wilson Peter (Chap. 4), Yalkut Jud (Chap. 3), van Meter Ben (Chap. , 4)
Socialbodies
14 Hour Technicolor Dream (Chap. 4), Alexandra Palace (Chap. 4), Amoeba Lightshow (Chap. 4), Art in Cinema (Chap. 2), Avalon Ballroom (Chap. 4), Boyle Family (Chap. ), Charles and Ray Eames (Chap. 3, ), Cream (Chap. 4), Creamcheese (Chap. 4), Crystalleum Lightshow (Chap. 4), Electric Light Garden (Chap. , 4), Expanded Cinema (Chap. 3), Fillmore East (Chap. 4), Film Culture (Chap. 3), Five Acre Lights (Chap. 4), Fluxus (Chap. 2), Grateful Dead (Chap. 4), Hans-Joachim and Bim Reinert (Chap. 4), Headlights (Chap. 4), Holy See (Chap. 4), Jefferson Airplane (Chap. 4), Joel and Toni Brown (Chap. 4), John and James Whitney (Chap. 2), Krishna Lights (Chap. 4), Living Theater (Chap. 4), London Free School’s Sound/Light Workshop (Chap. 4), Longshoremen's Hall, San Francisco (Chap. 4), Morrison Planetarium (Chap. 2), Movie-Drome (Chap. 3), Muse (Chap. 5), New York Film Festival (Chap. 3), North American Ibis Alchemical Company (Chap. 4), Pink Floyd (Chap. 4), Re-Invention World Tour (Chap. 5), Roundhouse (Chap. 4), San Francisco Museum of Art (Chap. 2), Sensual Laboratory (Chap. 4), Soft Machine (Chap. 4), The Velvet Underground (Velvet Underground) (Chap. 4), The Who (Chap. 4), Trips Festival (Chap. 5, 4), UFO Club (Chap. 4), USCO (Chap. 3, ), Wembley Stadium (Chap. 5), Whitney Museum of Art (Chap. 3), ZERO (Chap. 4)
Mentioned
Clavilux (Chap. 1), Color Organ (Chap. 1), Colour(s) Piano (Chap. 1), Expanded Arts (Chap. 3), Glimpses of the U.S.A. (Chap. 3), Liquid Crystal projection (Chap. 4), MobilColor VI (Chap. 1), Mobilcolor Projector (Chap. 1), Sample Lesson (Chap. 3), Son et Lumière for Bodily Fluids and Functions (Chap. 4), Son et Lumière for Earth, Air, Fire, and Water (Chap. 4), The Electric Kool-Aid Acid Test (Chap. 5), The Whole Earth Catalog (Chap. 3), Vortex (Chap. 2)
Keywords
Bewußtseinserweiterung (Chap. 3), Entgrenzung (Chap. 2, 3, 4, 5), Immersion (Chap. 2), Intermedialität (Chap. 2), Performativität (Chap. 4), Polysensualität (Chap. 3, 4), Verzeitlichung (Chap. 1), club culture (Chap. 4, 5), counterpoint (Chap. 1), improvisation (Chap. 4), universalism (Chap. 1, 2, 4)

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