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Abstract

Maintext

Literature

Textindex

Music Video

by Henry Keazor, Thorsten Wübbena

List of books in this text

Album der Boudoirs (1838)

Lewald, August

Film und Schokolade: Stollwercks Geschäfte mit lebenden Bildern (1999)

Loiperdinger, Martin

Musikvideos – Die Avantgarde der 90er Jahre (1994)

Dolezal, Rudi
Hausheer, Cecilia and Schönholzer, Annette (ed.)

Patent Caveat (8. Oktober 1888) [PT031AAA] Patent Series-Caveat Files: Case 110: Motion Pictures (1888) [PT031AAA1; TAEM 113] (1888)

Edison, Thomas A.

Wine and walnuts; or, after dinner chit-chat (1823)

Hardcastle, Ephraim (i e. Pyne William

previously read texts

Music Video

Print Text

Timelines:1780 until today

Workdescriptions from this text

Workdescriptions from other texts

Footlight Parade

List of all Relations in this Text

SCHLIESSEN

«Music Video»

Works

Revolution 909, Sign ‘o’ the Times, Speed of Sound, Star Guitar

People

Bacon Lloyd (Chap. 3), Basie Count (Chap. 4), Berkeley Busby (Chap. 3), Coppola Roman (Chap. 7), Crosland Alan (Chap. 3), Cullen Matthew (Chap. 8), Cunningham Chris (Chap. 8), Dolezal Rudi (Chap. 6), Dunning George (Chap. 5), Edison Thomas A. (Chap. 1), Elderkin Nabil (Chap. 8), Elliott Missy (Chap. 7), Fischinger Oskar (Chap. 3), Gaumont Léon (Chap. 3), Goldman Peter (Chap. 5), Gondry Michel (Chap. 7, 8), Gowers Bruce (Chap. 5, 4), Granz Norman (Chap. 4), Guy Alice (Chap. 3), Hallström Lasse (Chap. 5), Ichiyanagi Toshi (Chap. 2), Jackson Michael (Chap. 7), Jonze Spike (Chap. 7), Knowles Bernard (Chap. 5), Konersman Bill (Chap. 6), Kutiman (Chap. 8), Lelouch Claude (Chap. 8), Lester Richard (Chap. 5), Lewald August (Chap. 2, 1), Meyers Dave (Chap. 7), Mili Gjon (Chap. 4), Mulcahy Russell (Chap. 6), Romanek Mark (Chap. 7, 8), Sagoo Bally (Chap. 7), Schneider Erik (Chap. 8), Stern Walter (Chap. 8), Tintori Ray (Chap. 8), West Kanye (Chap. 8), de Loutherbourg Philippe Jacques (Chap. 1)

Socialbodies

Abba (Chap. 5), Beastie Boys (Chap. 7), Bloc Party (Chap. 8), British Broadcasting Corporation (BBC) (Chap. 5), Chairlift (Chap. 8), Chemical Brothers (Chap. 8), Coldplay (Chap. 8), Daft Punk (Chap. 7), Godley & Creme (Chap. 4), MTV (Music Television) (Chap. 6, , 8), Police (Chap. 4), Queen (Chap. 5, 4), Smoke City (Chap. 7), The Beatles (Chap. 5), The Buggles (Chap. 6), VIVA (Chap. ), Weezer (Chap. 8)

Mentioned

A Hard Day’s Night (Chap. 5), Anna, qu’est-ce tu t’attends (Chap. 3), Bohemian Rhapsody (Chap. 4, 5), By a Waterfall (Chap. 3), Choose (Chap. 8), Chronophonograph (Chap. 3), Dil Cheez (Chap. 7), Eidophusikon (Chap. 1, 2), Every breath you take (Chap. 4), Evident Utensil (Chap. 8), Footlight Parade (Chap. 3), Help! (Chap. 5), Jammin’ the Blues (Chap. 4), Kinetophone (Chap. 1, 2), Like a Rolling Stone (Chap. 7), Magical Mystery Tour (Chap. 5), Penny Lane (Chap. 5), Pork and Beans (Chap. 8), Sabotage (Chap. 7), Scream (Chap. 7), Song-Slides (Chap. 2), Strawberry Fields (Chap. 5), Studien (Chap. 3), Study II (Chap. 3), Take me back, Baby (Chap. 4), The Jazz Singer (Chap. 3), The Matrix (Chap. 7), The Prayer (Chap. 8), Thru You (Chap. 8), Top of the Pops (Chap. 5), Underwater Love (Chap. 7), Vaya Veronica (Chap. 3), Video killed the Radio Star (Chap. 6), Waterloo (Chap. 5), Welcome to the Heartbreak (Chap. 8), Work it! (Chap. 7), Yellow Submarine (Chap. 5), vvvv (Chap. 8)

Keywords

Entgrenzung (Chap. 1), Intermedialität (Chap. 3), Polysensualität (Chap. 1), Verzeitlichung (Chap. 2), collage (Chap. 6, 7), rhythm (Chap. 3, 6), sampling (Chap. 6, 8), substitution (Chap. 8), synchronicity (Chap. 2, 3, 6)

Timespans

1780 – 1890, 1890 – 1920, 1900 – 1940, 1930 – 1960, 1960 – 1980, 1980 – 1990, 1990 – 2000, ab 2000

SCHLIESSEN

COMPENDIUM

ESSAYS

MISC.

EXHIBITION

Music Video